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所在平台: Udemy |
课程主页: https://www.udemy.com/course/zbrush-sculpting-learn-sculpting-the-human-head-in-zbrush/
课程评论：没有评论
ZBSculpting: ZBrush 人头雕刻课程 **课程概述：** 本课程面向热情的数字雕刻爱好者，旨在从零开始教授ZBrush有机雕刻技巧，并帮助学习者在2024年提升ZBrush人头雕刻技能。课程包含16个以上的详细讲解视频，演示了如何使用关键笔刷、工具和技术雕刻女性头部和头发。每个视频都提供详细的语音解说，解释了笔刷和技术的使用原理及优势。 课程从ZBrush的用户界面/用户体验（UI/UX）介绍开始，逐步深入到基础人头建模、嘴唇、眼睛、耳朵和颈部雕刻。在基础雕刻完成后，将增加多边形数量进行细节雕刻。完成头部雕刻后，将添加噪点和皱纹以增强人物的真实感。课程还详细讲解了女性头发的雕刻技术。 贯穿整个课程，将深入探讨人头比例、面部特征的布局和尺寸控制，以及面部和颈部特定区域（如骨骼结构）的雕刻技巧。本课程的核心目标是教会学员如何雕刻一个美丽的女性3D模型。 **课程内容亮点：** * ZBrush UI/UX 基础介绍 * 基础人头建模与比例掌握 * 嘴唇、眼睛、耳朵等面部细节雕刻 * 颈部结构雕刻 * 通过增加多边形进行细节提升 * 添加噪点和皱纹，增强真实感 * 女性头发雕刻技术 * 面部特征 placement and placement * 面部及颈部骨骼结构雕刻 **音乐来源：** Royalty Free Music by Marcus P. bensound
This course is designed for enthusiastic digital sculpting learners, who want to learn Zbrush organic sculpting from scratch and for those also who want to enhance their sculpting human head in z brush in 2024.This has more than 16 lecture videos, where I have sculpted the female head and hair using some important brushes and other tools & techniques. Each of the videos is explained in detail with voice-over so you can understand the reason and benefits of using brush or techniques. In this organic sculpting, I have begun with zbrush UI/UX explain to basic human head blocking, lips, eyes, ears and some neck sculpting. After basic sculpting I moved to detailed sculpting by adding more polycount. After finalizing the female head I added some noise and wrinkles on face to add more likeness sculpting. Then I explained the technique of hair sculpting of girl. Throughout the course I have explained about human head proportions, maintain the face features placement and sizes. Sculpting the mesh and bone specific areas on face and on neck too. How to sculpt a beautiful female 3d model, this is the main objective of this course.In this course I tried to sculpt a beautiful female head using Zbrush. If you feel to ask me anything about zbrush you can message me. I will try to reply asap.Music credits: Royalty Free Music by Marcus P. bensound
