Orchestration Masterclass, Part 4: Writing for Strings

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课程主页: https://www.udemy.com/course/writingforstrings/

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课程名称:管弦乐编排大师班,第4部分:弦乐创作 课程概述:该课程获得国际在线音乐教育者和机构协会的五星认证,保证100%的提问答复率!所有在课程中提出的问题都会在24小时内得到讲师的回复。如果你是一位音乐创作者、表演者、作曲家或有志于成为词曲创作人的人,希望提升自己的水平,那么这个课程正是你的起点。是时候学习管弦乐编排,为你的音乐赋予应有的力量和激情。管弦乐编排是研究乐团中每种乐器的特性及其协作产生新声音的过程。可以将其视为绘画:乐团是你的调色板,但你不想将所有颜色混合在一起,而是需要理解混合这些颜色的原理,才能在画布上施展你的想法。 在这一系列课程中,我们将专注于三个方面: 1. 乐器编排:了解乐团中所有乐器的工作原理,以及如何以习惯的方式为它们作曲。 2. 作曲:利用乐团创作出强大的音乐,学习如何将不同音色融合,创造出独特的声音。 3. 合成编排:使用常见的制作软件(如Ableton Live、FL Studio、Logic Pro、Pro Tools、Cubase等)通过采样库创建逼真的乐团声音。 在本课程“第4部分:弦乐创作”中,我们将重点关注如何将弦乐视为前景、中景和背景的部分。我们将探索如何利用弦乐创造旋律、和声和质感,同时研究贝多芬在弦乐创作中的技巧。 课程内容涉及: - 前景写作 - 将旋律放在小提琴、中提琴、大提琴或低音提琴中 - 在音域上与旋律保持距离的技巧 - 通过高度进行前景和中景的分离 - 质感与节奏的关系 - 背景创作 - 同音写作 - 多声部写作 - 单声部写作 - 单一节奏写作 - 学习贝多芬的风格:交响曲第1号 - 以及更多! 我的承诺: 作为一名全职音乐作曲家和教育者,我会认真对待你的每一个问题。如果你对课程不满意,我也提供30天无条件退款保证。 我具备的教学资格: 我拥有音乐学博士学位,是大学音乐教授,并在教学领域获得多项奖项,但更重要的是我每天都在使用这些知识。我是一名职业音乐作曲家,同时也是一名活跃的吉他手,紧跟最新的制作技术和流派。我热爱这门知识,并热衷于教学。 让我们开始吧!期待在第一课见到你!祝好,Jason(你也可以叫我Jay)

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This course is certified 5-stars by the International Association of Online Music Educators and Institutions.100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor. Are you a music maker, performer, composer, or aspiring songwriter looking to up your game? This is the place to start.It's time to learn orchestration to give your music the power and the passion that it deserves. Orchestration is the study of each instrument in the orchestra, how they work, how to write for them, and how each instrument collides with the others to make new sounds. Think of it like painting: The orchestra is your palette of colors. But you don't want to just mix them all together. You need to understand some principles of mixing those colors together before you put your brush on canvas. In this series of classes we are going to work on three things: Instrumentation: Knowing how all of the instruments in the orchestra work, and how to write for them in an idiomatic way.Composition: Using the orchestra to write powerful music. Learning how to blend the different sounds of the orchestra to make a new, unique, sound. Synthestration: Using common production software (Ableton Live, FL Studio, Logic Pro, Pro Tools, Cubase, etc.) to create a realistic orchestra sound using sample libraries. In this class, "Part 4: Writing for Strings" we are going to focus on the strings as a foreground, middleground, and background section. We will explore using the strings for melody, harmony, and texture, while also exploring the techniques that Beethoven used in his string writing. If you don't know me, I've published a lot of classes here. Those classes have been really successful (top sellers, in fact!), and this has been one of the most requested classes that my students (over 1,000,000 of them) have asked for. I'm really excited to finally be able to bring this to you. Here is a list of some of the topics we will cover:Foreground writingPutting the melody in the violin, viola, cello, or bassStaying clear of the melody in terms of rangePutting the background above the foregroundColor as separation of foreground and middlegroundTexture as separation of foreground and middlegroundMiddleground writing and TechniquesTexture and RhythmRhythmic VariationBackground writingHomophonic writingPolyphonic writingMonophonic writingMonorhythmic writingLooking at the masters: Beethoven, Symphony No. 1And Much, Much, More!My Promise to You:I am a full-time Music composer and Educator. If you have any questions please post them in the class or send me a direct message. I will respond within 24 hours. And if you find this class isn't for you, I am more than happy for you to take advantage of the 30-day money-back guarantee. No questions asked.What makes me qualified to teach you?In addition to being a composer and educator, I also have a Ph.D. in music, I am a university music professor, and have a long list of awards for teaching. But more importantly: I use this stuff every day. I write music professionally, am an active guitarist, and stay on top of all the latest production techniques, workflows, and styles. As you will see in this class, I just love this stuff. And I love teaching it.Let's get started! See you in lesson 1. All best, Jason (but call me Jay...)

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