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所在平台: Udemy |
课程主页: https://www.udemy.com/course/the-godfather-guitar-lesson/
课程评论：没有评论
课程名称： 教父吉他课程 课程概述： 本课程将教您弹奏电影《教父》的主题曲。该主题曲是影史上最著名的乐曲之一。课程提供了一个吉他独奏的编曲，您将学习如何用吉他演奏主旋律以及经典的琶音。 课程亮点： * **演奏技巧：** 掌握《教父》主题曲的主旋律和古典琶音弹奏。 * **多语言教学：** 课程通过英语、西班牙语和意大利语进行教学，方便不同语言背景的学习者。 * **适用吉他：** 课程内容适用于古典吉他、原声吉他或电吉他。 * **右手法指运用：** 课程强调右手法指的运用技巧，特别是如何使用不同的手指来获得更均衡的音色，并简化演奏。强调90%的演奏错误源于右手。 * **音乐风格：** 课程将介绍《教父》主题曲的音乐灵感，即源自意大利南部歌唱风格的抒情风格，并指导您如何运用节奏处理来突出旋律的歌唱性。 * **编曲背景：** 课程提到该编曲由Maestro Vincenzo Calsolaro于1973年为吉他创作，并于12岁时传授给讲师。 作曲家简介： 尼诺·罗塔（Nino Rota）于1911年生于米兰，1979年于罗马逝世。他自幼学习音乐，八岁开始作曲，并在多家音乐学院任教。他的国际声誉主要来自于为电影创作的配乐，特别是为费德里科·费里尼执导的电影所作的配乐。《教父》的配乐便是其代表作之一。
The Godfather Theme is perhaps the best known movie piece of all times. I made a guitar transcription for you to play solo on guitar. You will master how to carry the main melody on the guitar as well as the classical arpeggio.Throughout the 5 videos, I teach using English, Spanish & Italian. You can play the piece on Classical, Acoustic and/or Electric Guitar indistinctly.Nino Rota, was born in Milan in 1911 and died in Rome in 1979. In 1919 he began studying the piano with his mother, and at the age of eight he started to compose. He entered the Milan Conservatory in 1923. Later, in Rome, he received a diploma in composition at the Accademia di Santa Cecilia in 1930.In 1937 joined the Bari Conservatory as a teacher of harmony and composition. There, Rota worked closely with my first guitar teacher, Maestro Vincenzo Calsolaro who also worked at the Bari music Conservatory. Calsolaro made the guitar transcription for this piece in 1973 and presented it to me when I was 12.Rota owed his international renown largely to his scores for the cinema, many of them composed for the films of Federico Fellini. The Godfather, is inspired in Southern Italy singing style: Lyrical. Stretch the tempo and allow for the melody to sing. Te introduction sets the tonality of the work. Play the chords at the beginning of each measure in an arpeggiated fashion. You can read more on arpeggiated chords HERE. This means that the chord will sound both as a chord and an arpeggio. You can see how it is done looking at the video to the right closely or by following the link to the Technique pages.Whenever possible, I like to use the same right hand finger for a given melodic line. Such is the case with this introduction.notice how I repeat the a finger on the first string.With slow, Romantic pieces, I try to go by this rule: Use finger a on the first string, the m on the second, the i on the third and the thumb on the bass strings. The main reason is that you get a more even sound and keep things in the right hand as simple as possible. 90% of the playing mistakes are generated in the right hand.
