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所在平台: Udemy |
课程主页: https://www.udemy.com/course/the-art-of-archaic-greece/
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课程名称：《古希腊艺术》 课程概述：本课程将使学生熟悉古希腊时期（公元前第一千年到公元前第五世纪）所创作的绘画陶器、雕塑和金属工艺品。当公元前1200年迈锡尼文化崩溃时，历史学家称之为黑暗时代，这一时期几乎遗忘了迈锡尼文化所特有的一切，包括建筑技术、冶金、书写系统以及精美的象牙和黄金艺术品。课程开始于这一黑暗时代和亚迈锡尼时期，此时漫长的岁月几乎没有艺术想法的痕迹，这种完全的精神匮乏或许反映了当时人们经历的重大毁灭、迁徙、物质贫困以及自我意识的无知和极端的不安。幸存下来的陶器给人留下的印象是，那些生活在亚迈锡尼希腊的人完全遗忘了米诺文化和迈锡尼文明的所有技术和概念精髓。随着几何形和东方风格艺术的出现，叙述开始发生变化，随之而来的是最早的希腊石雕。学生将了解古希腊时期的“库罗斯”和“考丽”，这两种人类表现形式，正是我们对希腊艺术唯美表达的最后瞥见，这些表现形式成为西方欧洲传统中许多表现方面的基础。然而，古希腊艺术史的这一时期因与波斯帝国的冲突及战争带来的摧毁（包括寺庙和旧艺术风格的毁灭）而告终。尽管如此，在公元前1200年至公元前480年之间，希腊艺术的传统基础得以建立，迅速超越了所有早期古代文明的表现模式、自然主义和对人类心智的理解。
This course will familiarize students with the painted pottery, sculpture, and metalwork of Archaic Greece from the first millennium to the early fifth century B.C.E. When the Mycenaean culture collapsed around 1200 B.C., this ushered in a period of time historians call the Dark Ages, in which virtually everything that had distinguished the Mycenaeans was forgotten: building techniques, metallurgy, writing systems, and refined artworks of ivory and gold. This course opens with those Dark Ages and the Submycenaean Period, which saw centuries pass with virtually no trace of the artistic ideas which appeared for earlier peoples. This utter dearth of spirit expressed as visual idea perhaps reflects the great destructions, migrations, material poverty, somewhat self-conscious ignorance, and extreme insecurity which was the experience for many. Surviving pottery from this time gives the impression that those who lived in Submycenaean Greece had utterly forgot all of the technical and conceptual refinements of Minoan and Mycenaean civilization. The narrative changes with the advent of Geometric and Orientalizing styles of art, and soon after the first Greek sculptures in stone. The Archaic "kouros" and "kore," two forms of human representation with which students will become familiar, are our last glimpses into the early phases of a distinctively Greek approach to artwork which would become fundamental to so many aspects of representation in the western European tradition. However, this period in Greek art history was ended by conflict with the Persian Empire and the sweeping destruction that war brings of temples and the old style of sculpture. Nevertheless between 1200 and 480 B.C.E. the foundations were laid for a tradition of Greek artwork which would quickly outpace all prior ancient civilizations' modes of representation, naturalism, and the human psyche.
