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所在平台: Udemy |
课程主页: https://www.udemy.com/course/practicing-arranging-music-with-the-piano/
课程评论：没有评论
课程名称：如何为作曲家练习钢琴 课程概述：在语言学习中，有一种众所周知的技巧，可以帮助学习者比“平均”水平的学习者更快地进步，那就是优先学习使用频率最高的300个单词或模式。在本课程中，我们将采用类似的方法，旨在通过专注于练习基本的编排模式，帮助作曲家更流畅地在钢琴上进行编曲。通过参加这门课程，您将增强作曲和编曲技能，同时成为更优秀的钢琴演奏者。当您掌握了这些编排模式的技巧与知识后，您可以：以多种方式组合和转换这些模式！您会开始在各处听到这些模式，这表明音乐并没有您想象中那么复杂！您可以轻松解构自己喜爱的音乐并模仿它，轻松发展音乐创意，最终开始完成您堆积已久的草图。 我的名字是杰克·沃恩（Jack Vaughan），我是一名作曲家、在线教育者和“精益音乐家”（Lean Musician）的创始人。我的课程已被近100个国家的数千名学生学习，我的主要任务是帮助音乐家更有效地创作和练习音乐。 该课程并非初学者课程，它是我之前课程《钢琴作曲》的延续，那个课程旨在为初学音乐者打下扎实的音乐理论与作曲基础，或为中级音乐者提供补课。如果您还没有参加那门课程，或者对目前的音乐理论水平不够自信，请在参加本课程前先去学习它。 课程内容详细信息： 第1部分：和声 1. 介绍 2. 如何使用这一部分 3. 关键点 4. 156 5. 艾诺迪（Einaudi） 6. 蓝调 7. 时间 8. 倒行 9. 序列 10. 主和弦 11. 小调4个和弦灵魂 12. 36251 13. 次级属和弦 14. 爵士蓝调 15. 和弦关系与双调性 第2部分：曲目 16. 大纲与曲目列表 17. 即兴演奏 18. 转录 19. 模式库 20. 示例曲调 第3部分：和声法 21. 介绍 22. 倒转 23. 闭合与开放 24. 重复、移除、添加 25. 三度、六度、十度 26. 装饰音 27. 和声旋律 28. 无根和弦 29. 声部走向 第4部分：伴奏模式 30. 介绍 31. 块和弦 32. 断裂和弦与琶音第1部分 33. 断裂和弦与琶音第2部分 34. 交替和弦 35. 伴奏 36. 大步 37. 低音线 第5部分：节奏 38. 律动与循环 39. 律动介绍 40. 节拍与时间 41. 强与弱 42. 划分 43. 摆动 44. 不完美 45. 重音与动态 46. 装饰音与幽灵音 47. 交错节奏 48. 单和弦体裁 第6部分：旋律模式 49. 流动 50. 序列 51. 五声音阶 52. 配对五声音阶 53. 多音阶 第7部分：综合运用 54. 综合运用 55. 练习与作曲技巧第1部分 56. 练习与作曲技巧第2部分 57. 练习与作曲技巧第3部分 58. 结论 希望在课程中见到你！
In language learning, there is a well known hack or trick to pushing through early stages much quicker than the 'average' learner and it's to find the top 300 most used words or patterns in the language and to learn those first.THIS is what we're doing in this course. The aim of this course is to help composers arrange more fluently at the piano by focusing on practicing the fundamental patterns of arrangement. By taking this course you will enhance your composing and arranging skills, as well as becoming a better piano player.When you have this skill & knowledge of arranging patterns under your belt you can:Start combining and manipulating them in many different ways.You start hearing these patterns everywhere! Which shows you music isn't as hard as you thought!You can deconstruct your favorite music and emulate it with easeYou can develop musical ideas with ease and finally start finishing that pile of sketches that you have been building up!: )My name's Jack Vaughan. I'm a composer and online educator and founder of Lean Musician My courses have been taken by thousands of students in nearly 100 countries and my main thing is helping musicians write and practice music more effectively.This is not a beginners course. This course follows on from my previous course, Music Composition at the Piano. The aim of that course was to give beginner musicians an amazing foundation in music theory and composition - or to give intermediate musicians a catchup on all the things they often miss. If you haven't taken that course, or don't feel totally confident with your level of music theory as it currently stands - then check it out before taking this one.About the course In DepthPerforming musicians practice - all the time. That's how they get better. But how do you practice if you're a composer? After you've mastered a good level of music theory, and some basic keyboard skills - how do you really start absorbing new techniques & material and move from being an intermediate to professional?In my experience, there's two conventional bits of wisdom that professional composers usually say in answer to this: write lots of music on the job and listen to new music all the time.Both of these are absolutely true and probably the best bits of advice you can get. If you're not already doing them, stop watching this video and do that solidly for a week and see what happens.However, my guess is that you're already doing this, and it's not answering all your questions. The thing is, most early stage composers get stuck when writing - quite a lot. And it's really an issue of vocabulary.Imagine I'm trying to write in French but my level of vocabulary is limited - my writing is not going to be so good - no matter how much I write. Obviously I need to learn more words or standard patterns in the language and then try them out in my writing.I could also try and read or listen to as much French as possible - but how much do I actually recognize and therefore absorb for my own writing?This is a perfect analogy for music. How can we write without a basic vocabulary of patterns and how can we emulate what we're listening to if we can't understand it?My hope is that at the end of this course you'll have built up and continue to be building a powerful skillset at the piano and have a wealth of arranging principles on which to draw from. And my hope is that these two pillars will allow you to express your compositional ideas more fluently and more reliably.I hope to see you on the inside!Course outlinePart 1: Harmony1. Introduction2. How to use this section3. Keystones4. 15645. Einaudi6. Blues7. Time8. Step Down9. The Sequence10. Lord Chords11. Minor 4 Soul12. 3625113. Secondary Dominants14. Jazz Blues15. Chord Relationships & BitonalityPart 2: Repertoire16. Outlines & Repertoire List 17. Jamming18. Transcription19. Pattern Library20. Example TunesPart 3: Voicings21. Introduction22. Inversions23.Closed & Open24. Doubling, Dropping, Adding 25. 3rds, 6ths, 10ths26. Grace Notes27. Harmonizing Melody 28. Rootless29. Voice LeadingPart 4: Accompaniment Patterns30. Introduction31. Block32. Broken Chords & Arpeggiation Pt 1 33. Broken Chords & Arpeggiation Pt 2 34. Alternating Chords35. Comping36. Stride37. Bass LinePart 5: Rhythm38. Groove & Loops39. Introduction to Groove40. Tempo & Time41. Strong & Weak42. Subdivision43. Swing44. Imperfection45. Accents & Dynamics46. Grace Notes & Ghost Notes 47. Cross Rhythms48. One Chords GenresPart 6: Melodic Patterns49. Flowing50. Sequences51. Pentatonics52. Paired Pentatonics53. Multi ScalesPart 7: Putting it all together54. Putting it all together55. Practice & Composing Tips Pt 1 56. Practice & Composing Tips Pt 2 57. Practice & Composing Tips Pt 3 58. Conclusion
