The Essential Poet's Toolbox for Readers and Writers

所在平台: Udemy

课程主页: https://www.udemy.com/course/poetry-for-readers-and-writers/

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课程名称:《读者与写作者的基本诗人工具箱》 课程概述:对于非诗人和初学作家来说,现代诗歌可能显得随意且杂乱:一些不成熟的作家自称诗人,呈现出切分的散文却标记为诗歌。若我们不理解诗人的工具和技巧,就无法判断诗歌的优劣,也无法识别何时被低估。本课程旨在介绍现代英语诗歌中使用的一些技巧,并解释它们的应用,从而提高写作能力和阅读欣赏能力。 你将学习: - 识别和欣赏现代英语诗歌核心的技巧。 - 了解什么是诗歌,以及这些定义如何引导我们理解诗人的工具和技巧。 - 学习韵律的情感效果,探索英语语言的内在节奏。 - 近距离观察十四行诗、俳句和其他诗歌形式。 - 探索不同类型的韵律及其他声效。 - 了解格式和布局,诗人特有的工具,以及行与行之间的断裂和行长对诗歌阅读的影响。 - 探索将诗歌联系在一起的其他手段,并区分诗歌与散文。 该课程旨在提供一个概述,培养对不同工具的理解和欣赏,但并不提供对每种工具或特定诗歌形式的深入指导。诗歌技巧也可以用来丰富各种创意写作,同时对于其他体裁(包括商业非小说和广告文案)也有帮助。无论你是想阅读还是写作诗歌,通过增加对诗人工具的理解来提升你的享受。 诗歌是最古老的艺术形式之一,是表达和引导我们情感的方式。对于读者和写作者来说,诗歌提供了一种探索难以谈论的话题的手段:在悲伤和庆祝的时刻,我们转向诗歌;我们写作诗歌来安慰自己,也与他人分享我们的经历;阅读诗歌使我们更好地理解自己的感受,并学习关于自己未曾经历的世界。写作诗歌的好处包括改善口头表达、提升自我意识、精神成长和语言技能,而阅读诗歌则促进同理心,背诵诗歌有助于长期脑功能。 课程内容包含20多节讲座和超过2小时的视频内容,特别适合初学诗歌的读者和作家,以及希望扩展自身创作范围或了解同僚的其他体裁作家。课程专注于现代英语诗歌,非技术性并不尝试教导正式的文学批评。希望通过本课程,帮助你更好地理解诗歌的内涵,并在此过程中分享诗歌的乐趣。

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For non-poets and for novice writers, modern poetry can seem very arbitrary: poor writers proclaim themselves poets and present us with chopped-up prose labelled as poetry. Unless we understand the poet's tools and techniques, we are powerless to discriminate between good and bad and recognise when we are being sold short. This course aims to introduce some of the techniques used in modern English poetry and explain how they are used, leading to greater skill in writing and better appreciation when reading.Learn to recognise and appreciate the techniques that lie at the heart of modern English poetry.Discover what poetry is and how the definitions lead us towards the tools and techniques available to the poet.Learn about the emotional effect of metre and discover the innate rhythm of the English language.Take a closer look at sonnets, haiku and other poetic forms.Explore the different types of rhyme and other sound effects.Learn about format and layout, the poet's own specific tools, and discover how line breaks and line length affect the way a poem is read.Explore other devices that bind a poem together and distinguish poetry from prose.Note: The course is intended as a general overview to foster understanding and appreciation of the different tools, but does not offer in-depth instruction on each tool, nor on specific poetic forms.Poetic techniques can be used to enrich creative writing of all kinds, as well as being useful in other genres, including commercial non-fiction and advertising copy.Whether you want to read or write poetry, enhance your enjoyment by increasing your understanding of the poet's tools.Poetry is one of the oldest art forms, a way of expressing and channeling our emotions. For both readers and writers, poetry offers a means of exploring topics that may be difficult to talk about: we turn to poetry in times of grief and in times of celebration; we write it to comfort ourselves and to communicate our experience with others; we read it to better understand own feelings and to learn about the world beyond our own experience. Benefits of writing poetry include improved verbal expression, articulation, self-awareness, spiritual growth, and enhanced linguistic skills, while reading poetry encourages empathy, and memorising poetry can help long-term brain function.Course Overview: The course contains more than 20 lectures and over 2 hours of video content. It is especially suited to novice poets and readers, as well as writers of other genres who are interested in expanding their repertoire or in understanding their poetical colleagues. Note: the course focuses on modern English poetry; it is non-technical and does not attempt to teach formal literary criticism. I have been reading and writing poetry since I was a child; when I first started reading. I simply enjoyed the poems, although I didn't know why, so when I started to write, I just wrote what felt good to me. Sometimes one poem seemed more successful than another, but I didn't have any objective criteria by which to judge that success. Then, when I started to study the tools and techniques that are the essence of poetry, it was like adding a whole layer of meaning and it suddenly all became a whole lot more fun. Later, I started to attend writing workshops and I realised that much of the time even writers of other genres don't really understand what is going on inside a poem: all too often, they would tell me they thought poetry was entirely a matter of personal taste and if I'd written my poem like that it must, automatically, be right. I developed this course to shine a light on to some of the inner workings of poetry, to enable others to understand and appreciate what poets are doing, and to help them recognise when this is working. Like most things in life, poetry is more fun when you know what's going on: I hope that by taking the course, you, too, can share the fun.

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