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所在平台: Udemy |
课程主页: https://www.udemy.com/course/mime-and-pantomime-in-the-20th-century/
课程评论：没有评论
课程名称：20世纪的哑剧与舞蹈 概述：本课程由1974年研究所和艺术节的创始主任Lou Campbell博士主讲，深入探讨了现代舞蹈、表演、滑稽和戏剧的基础。课程从Etienne Decroux和Jacques LeCoq开始，这两位艺术家奠定了这一表演艺术形式的根基。课程中将介绍Marceau的风格哑剧技巧，以及Mamako Yoneyama作为Marceau的学生，如何向禅宗冥想哑剧方向发展。Shozo Sato则将日本的歌舞伎和能乐元素融入哑剧中。此外，Mummenschanz作为LeCoq的学生，发展出被称为面具戏的高度创造性表演形式。课程还将涉及Carlo Mazzone-Clementi的文艺复兴喜剧表演以及传统面具的运用。William Burdick探讨了在古典芭蕾中面具的使用，而Hovey Burgess则将马戏技巧视为哑剧和舞蹈的直接延伸。 对于那些对哑剧、舞蹈、滑稽艺术、表演、体操和歌剧感兴趣的学员来说，这门课程将提供丰富的教育素材。后续课程将聚焦于基本的哑剧技巧，全面介绍解剖学、生理学和生物力学，以帮助学员更好地理解身体作为表演工具的重要性。这一系列课程统称为“身体剧场”。
Dr. Lou Campbell, founding director of the 1974 Institute and Festival, provides scholarly insights to each of their works and amplifies what is foundational to modern dance, acting, clown and theatre.Starting with Etienne Decroux and Jacques LeCoq, the foundations of the art form were laid. Marceau's technique is Style Mime. Mamako Yoneyama, a student of Marceau, radically diverges into Zen Meditation Mime. Shozo Sato provides Japanese elements of Kabuki and Noh. The Mummenschanz were students of LeCoq but emerged with highly creative performance forms called Mask Play. Yet, Carlo Mazzone-Clementi, a colleague of LeCoq brought an insightful performance of the Renaissance Commedia dell'Arte with traditional masks. William Burdick posed the issue of mask in classical ballet, while Hovey Burgess offers circus technique as a direct extension of mime and pantomime.Those interested in mime, pantomime, modern dance, clown, eccentric arts, acting, gymnastics and opera will enjoy this course. This material is provided as a diverse educational medium for those subscribing to the course. A follow up course will address basic mime techniques along with a thorough introduction of anatomy, physiology and biomechanics, so essential for a complete understanding of the body as a performing instrument. This medium is called Physical Theatre.
