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所在平台: Udemy |
课程主页: https://www.udemy.com/course/melody-writing-101/
课程评论：没有评论
**课程名称：旋律写作入门 (Melody Writing 101)** **课程概述：** 这门课程旨在帮助初学者克服旋律写作的挑战。作者强调，相比于在纸上“画点”，更有效的方法是在乐器上进行学习。课程核心在于探索旋律与和声的相互作用，以及如何在和弦的背景下创作出令人满意、具有稳定、色彩感或不和谐感的旋律。作者将这种关系比作磁铁与金属之间的吸引与排斥，以此形象地解释旋律与和声之间的张力和解决。 课程将从宏观视角切入，涵盖具体技巧，让学习者能够多角度地掌握旋律创作。 **课程内容要点：** * **什么是好的旋律？** * **如何控制旋律的复杂性？** * **如何处理旋律的节奏密度？** * **各种类型的邻音（neighbor tones）和经过音（passing tones）** * **包围音（enclosures）** * **琶音（arpeggios）** * **以及更多！** **学习建议：** 虽然本课程适合初学者，但仍需要大量的练习来充分掌握。课程提供了丰富的额外资源，支持不同学习风格和学习方式（乐器上学习或脱离乐器学习）。鼓励学习者做好准备，积极投入到学习中。
Melody writing can be tough when we first start learning about it, but it doesn't have to be!We often start by drawing a bunch of dots on the page, hoping that if we follow the rules it will sound nice when applied to an instrument. But like many musical techniques, it's best that we DON'T learn it at the page, but rather at an instrument.The way I approach melody writing is very much interrelated to the interaction between melody and harmony. When we have a chord supplied, our melody can either agree or conflict with our harmony. This can lead to stability, color, or dissonance within our melody. I find it easy to picture these tensions and resolutions as the relationship between magnets and metal. There's a certain amount of tension when metal is held close to a magnet, and I find that this is the best analogy to use when understanding how melody is working with harmony.From these more birds-eye-view ways of looking at things, to specific techniques like the ones below, I've got you covered from many angles so that you'll be feeling confident with your melody writing by the time you've reviewed and practiced the material within this course.What you'll learn:- What makes a good melody- How much complexity to add to your melody- How to approach rhythmic density within your melodies- Various types of neighbor tones and passing tones- Enclosures- ArpeggiosAND A LOT MORE!While this course is for beginners, it will still take much practice to get the most out of this material. Whether you prefer to learn on the instrument or off the page, I've provided enough extra resources that you can approach this material from various angles/learning styles.So strap on your melodic boots, get your fingers warmed up, and jump on in. I'll catch you in the first class!
