JAZZ PIANO ADVANCE COURSE

所在平台: Udemy

课程主页: https://www.udemy.com/course/jazz-piano-advance-course/

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课程简介

Coursera 爵士钢琴进阶课程(第一部分) **课程概览:** 本课程是“爵士钢琴进阶”系列课程的第一部分,旨在为希望拓展知识、提升钢琴技艺的钢琴演奏者提供在爵士乐和福音音乐领域的工具,并深入理解相关概念和原理。虽然课程主题为“爵士钢琴”,但其中传授的知识和原理同样适用于任何音乐流派。课程强调音乐创作的驱动力——创造力。 **目标学员:** * 对钢琴和弦、音阶和弦、以及和弦进行有基本了解。 * 能够进行基本的钢琴伴奏。 * 具备基本音乐理论知识将更有益。 **课程内容:** * **总时长:** 5小时44分钟视频内容,共分为四个主要章节,另有24分钟的额外奖励内容。 * **第一章:引言** * 音程 * 大调音阶 * 小调音阶(自然、和声、旋律) * 属七和弦 * 四度和五度循环 * **第二章:大调调式与 ii-V-I 和弦进行** * Ionian 调式与属七和弦 * Dorian 调式与小七和弦 * Phrygian 调式与小七和弦 * Lydian 调式与属七和弦 * Mixolydian 调式与属七和弦 * Aeolian 调式与小七和弦 * Locrian 调式与小七降五和弦 * 声部连接 * 五度和四度循环 * 其他和弦进行: V-V, i-VI-ii-V, iii-VI-ii-V, i-ii-iii-VI-V, Lydian 调式, i-IV * **第三章:和弦与音阶理论** * 音阶的作用 * 大调音阶 * “避免音” * 布鲁斯音阶 * 精通 ii-V-I * **第四章:进一步的张力(Dissonance)** * 九和弦 * 十一和弦 * 十三和弦 * 其应用 * 左手声部配置 * 三全音替代(Tritone Substitution)

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This is the first part of a two-part course that goes under the heading 'Advance Jazz Piano' and it is designed to give pianist who want to broaden their knowledge and take their piano skills to the next level, both in the area of jazz and the area of gospel piano, the tools needed to do so and an understanding of various concepts and principles to achieving this goal. Though this course goes under the heading 'Jazz Piano', the knowledge and principles here can be applied to any genre of music. In Music, creativity is the driving force.This course is specifically designed for students that possesses a basic knowledge of piano chords, scale harmony and chord progressions, and can play basic piano accompaniment. A knowledge of music theory will also be of great benefit to learners.The course contains 5 Hours 44 Minutes of video content arranged into four sections and an extra 24 minutes bonus section.Section: Introduction, covers; Intervals Major Scales Minor Scales (Natural, Harmonic and Melodic) 7th Chord sand Circle of 4th and 5th.Section 2: The Major Modes and ii-V-I Progression, covers; The Ionian Mode and The Major 7th Chord The Dorian Mode and The Minor 7th Chord The Phrygian Made and The Minor 7th Chord The Lydian Mode and The Major 7th Chord The Mixolydian Mode and The Dominant 7th Chord The Aeolian Mode and The Minor 7th Chord The Locrian Mode and The Minor 7th flat 5 Chord Voice Leading The Cycle of 5th and 4th Other Chord Progressions, such as; V-V i-Vi-ii-V iii-Vi-ii-V i-ii-iii-Vi-V The Lydian Mode i-iV.Section 3: Chord and Scale Theory, covers; Why Scales? The Major Scale Harmony Avoid Notes' The Blues Scale Mastering the ii-V-Is.Section 4: Further Dissonance, covers; 9th Chords 11th Chords 13th Chords Their Applications Left Hand Voicings Tritone Substitution.

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