Essentials of Early Christian Architecture

所在平台: Udemy

课程主页: https://www.udemy.com/course/essentials-of-early-christian-architecture/

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课程名称:早期基督教建筑的要素 概述:本课程深入探讨基督教最早和最重要的建筑环境,无论是用于公众礼拜的教堂,还是简单的神圣标志。我们将重点关注位于罗马、君士坦丁堡、耶路撒冷和埃及西奈半岛的建筑。课程中,我们将看到一些最早的基督教社区如何在改建的私人住宅或地下墓穴中进行礼拜,例如在杜拉-尤罗波斯和罗马的案例。四世纪以后,基督教获得帝国的认可,促使他们重新审视宗教建筑及其构造。 早期基督教的图像艺术(在某种程度上,雕塑艺术)毫无顾虑地借用了罗马和埃及的形式与符号。然而,主要作为神明居所的希腊罗马神庙并不适合预期参与人数众多的基督教礼拜。在古代,神庙的设计从未考虑容纳大规模人群,最多只是供奉偶像、祭司和少量崇拜者,盛大的仪式一般在神庙周围的游行大道和平台上进行。尽管如此,我们发现希腊罗马元素在新兴宗教的背景与需求中被重新调整和解读,形成了一个独特的建筑传统,从而定义了曾经的罗马这一新纪元:西欧和东部的拜占庭帝国。

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This course takes a look at the architecture of Christianity's earliest and most significant built environments, whether they were houses of worship intended for the use of many or simple markers of the sacred. Rome, Constantinople, Jerusalem, and the Sinai Peninsula in Egypt are the settings for the buildings which this course examines up-close. We see how some of the earliest Christian communities conducted their worship services in the converted private homes or underground catacombs, as at Dura-Europos and Rome respectively. After the fourth century, the Christian community's imperial endorsement prompted a re-evaluation of their religious edifices and its architecture. Whereas the pictorial (and to a more limited extent, the sculptural) artworks of early Christianity had no qualms appropriating Roman and Egyptian forms and symbols, the Greco-Roman temple which had primarily functioned as the residence of the image of the god- usually but not always in the form of a monumental cult statue- was inadequate for the number of people expected to participate in the Christian service. In the ancient world, temples were never designed to accommodate large numbers of people; the cult statues, priests, and a small number of worshippers were the maximum intended capacity, and large ceremonies unfolded along the processional avenues and platforms surrounding the temple itself. Nevertheless, we find Greco-Roman elements adapted and reinterpreted in the context and requirements of the new religion which emerged as its own distinctive architectural tradition which would define a new era in what was once Rome: Western Europe and the Byzantine Empire in the East.

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