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所在平台: Udemy |
课程主页: https://www.udemy.com/course/early-renaissance-sculpture-in-italy/
课程评论：没有评论
课程名称：意大利早期文艺复兴雕塑 课程概述： 意大利在中世纪的某些地区保留了与罗马过去的持续联系，尤其是在大规模教堂建设活动中，雕塑是这些活动的主要创作形式。在罗马帝国崩溃和早期中世纪的黑暗时代之后，雕塑经历了重大的转变。早期文艺复兴时期的意大利雕塑与前面的哥特式教会雕像有了显著不同，不仅在形式上创新，在人形表现的解读上也展现出大胆的尝试，对后世的雕塑艺术产生了深远影响。 本课程将探讨文艺复兴时期雕塑的演变，特别是十五世纪佛罗伦萨的艺术革命，如线性透视法和古典男性裸体的再现，也会将其放置在先前的古典艺术作品背景中进行分析，特别是罗马式的摩德纳和中世纪的比萨实例。通过课程的学习，学员将了解到西欧的雕塑如何从中世纪特征演变为明显的文艺复兴形式。课程涵盖了青铜和大理石的主要作品，以及多位重要艺术家如多那泰罗、维洛基奥等的作品。 通过本课程，您将获得对早期文艺复兴雕塑的深入理解，探讨其历史、艺术风格及其对后世的影响。
Italy throughout the Middle Ages in certain areas had preserved an unbroken connection to their Roman past in sculpture commissioned for large-scale church-building campaigns, which were the chief occasions for the creation of monumental sculpture after the collapse of the Roman Empire and subsequent Dark Ages of the Early Medieval era. Sculpture in Early Renaissance Italy took significant departures from the church figures of Gothic Europe before them; not only new forms, but new and daring interpretations of the human form which would reverberate in the medium and concepts of the sculpted image through the present day. Sculpture was forever transformed in the Western European history of art by the developments which we see coming out of Italy. Most histories start the clock on the revolutions from fifteenth-century Florence- linear perspective and the reclamation of the Classical male nude are some of them-, but this course places them in the context of Classicizing artworks which came before; specifically, we will look at examples from Romanesque Modena and Medieval Pisa. Through this course, we will see how sculpture in Western Europe would evolve from its Medieval characteristics into new distinctly Renaissance forms. Major works in bronze and marble are covered in this course, as are major artists such as Donatello, Verocchio, and others.
