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所在平台: Udemy |
课程主页: https://www.udemy.com/course/copyright-registration-for-music/
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课程名称：歌曲和音乐专辑的版权注册 概述：本课程由一位版权律师教授，旨在为那些已经确定想要在美国注册音乐、录音或二者版权的人提供实用指导，避免冗长的法律背景讨论和推销内容。课程假设学员已经意识到歌曲和录音版权的潜在价值，并希望了解如何正确注册。 课程的第一部分涵盖了注册过程及必要的关键术语，如衍生作品、雇佣作品、出版和最佳版本等，简单明了，足以让普通人理解申请的基本要求。同时，详细阐述了美国版权局对音乐和声音录音存档副本的具体要求，以及2021年推出的用于注册音乐专辑的新GRAM申请选项。 第二部分将带你进入美国版权局官方网站，逐步指导申请流程，从单一作品的单一作者申请开始，经过标准申请、未出版作品组（GRUW）申请、音乐专辑（GRAM）申请到声音录音的GRAM申请，最后简要讨论集体作品注册的优缺点及潜在问题，提供每种申请的资格和存档要求。 第三部分介绍了申请提交后可能发生的事情，包括等待时间、版权局对申请的联系、如何挑战注册拒绝等注意事项。同时提到，由于新冠疫情，版权局对纸质申请及实物存档的处理时间显著延长。同时，2021年生效的音乐现代化法案改变了获得强制许可的程序，适用于数字在线分发歌曲的许可。 本课程旨在以高效、实用的方式使学员掌握版权注册的全流程，确保学员能够正确、迅速地进行音乐版权注册。
Taught by a copyright attorney, this no-fluff, no-nonsense course is for people who already know they want to register copyrights in music, recordings, or both, in the United States and just want to understand how to do it correctly.If you are looking for an exposition of the history and development of copyright law, an in-depth analysis of substantive copyright law, and relentless pitches to persuade you of the need to register your copyrights, then this is not the course for you. The material is presented on the assumption that you already understand that the copyrights in songs and recordings are potentially very valuable and why you should register the copyrights in your music. The first part of the course provides information about the registration process and the meanings of critical terms you will need to know, Key concepts such as derivative work, work made for hire, publication, and best edition are explained in just enough detail to enable the average person to understand how to complete an application. The specific requirements the U.S. Copyright Office has established for deposit copies of music and sound recordings are laid out. You will also learn about the various options that are available for registering copyrights in music and sound recordings, including the new (in 2021) GRAM application for registering music albums.The second part of the course takes you to the U.S. Copyright Office website, where I will walk you through the application process step-by-step. beginning with the Single Application for one work by one author, proceeding through the Standard application, the GRUW (group of unpublished works) application, the GRAM application for music (group of published musical works on an album), and the GRAM application for sound recordings. It concludes with a brief discussion of collective work registration - the advantages, disadvantages, and potential pitfalls. Eligibility and deposit requirements for each kind of application are provided.Part 3 describes what happens, or can happen, after you file. Here you will learn how long you can expect to wait, how long you have to respond if the Copyright Office contacts you about your application, how you can challenge a denial of registration, and some things to consider before you do.Note that the U.S. Copyright Office's processing times, particularly for paper applications and applications with physical deposits, have been slowed considerably as a result of the Covid-19 pandemic. Also note that the Music Modernization Act goes into effect in 2021. This changes the procedure for obtaining compulsory licenses to make and distribute copies of a song digitally online. The NOI procedure for obtaining a compulsory license to make and distribute physical copies (e.g., CD-ROM or vinyl) remains as described in Lecture 22.
