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所在平台: Udemy |
课程主页: https://www.udemy.com/course/byzantine-music-lessons-step-by-step-part-1/
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**课程名称：**拜占庭圣歌——循序渐进（第一部分） **课程概述：** 本课程“ByzMusic Lessons”面向全球所有喜爱古老中世纪声乐的爱好者。课程将深入探讨以下三个主要方向： 1. **拜占庭音乐记号的研究：** 学习拜占庭音乐的书写符号。 2. **拜占庭调式（Októēchos）的研究：** 学习构成八种拜占庭调式的体系。 3. **带有手势指示意义的符号（表情和装饰符号）的研究：** 学习指示演唱表情和装饰的符号。 本课名为“实践练习1至9”，首先将简要介绍拜占庭音乐记谱法的演变历史，并定位我们即将学习的“三圣改革”（1814年）所使用的克里桑修斯记谱法（Chrysanthic notation）。 接着，课程将介绍拜占庭音乐音阶的音名，即Ni Pa Vou Ga Di Ke Zo Ni，并提供其近似的欧洲音乐对应音名：Do Re Mi Fa Sol La Si Do。 此外，课程还将探讨音的“记号”（martyrias）以及传统的乐器——卡农琴（kanonake）。拜占庭音乐的学习离不开卡农琴（也称psalterion或qanun），它通过拜占庭音乐特有的微音（其变化范围可在4至20个音程单位或逗号之间）准确地再现了每种拜占庭音阶独特的音响氛围。 在课程的引言部分，将介绍发声或音程符号（vocal or intervallic signs），这些符号指示了声音的发出方式。关键的音程符号包括： * **ison (ι):** 表示平稳的进行。 * **oligon (οl):** 表示上升的进行。 * **apóstrophos (αp):** 表示下降的进行。 课程随后将通过前九个练习，专注于这三个基本符号——ison、oligon和apostrophos的学习。这些练习至关重要，因为它们是掌握拜占庭音乐基本元素的基础。练习将在卡农琴的伴奏下反复演唱。每个练习结束后，将展示带有双重记谱法的幻灯片，以便从五线谱的角度理解同一个练习。 通过这些循序渐进、遵循特定教学法的练习是学习的关键。 本课程的目的是让学习者掌握独立解读和演唱拜占庭乐谱的技能，理解调式的所有结构要素，并与当代人分享拜占庭起源的古老中世纪音乐的音响。
The Byzantine music course "ByzMusic Lessons" is intended for all the lovers of ancient medieval vocal music in the entire world. The entire course proposes three main directions:1. the study of graphic signs of Byzantine music2. the study of modes which constitute the Októēchos (the eight Byzantine modes)3. the study of signs with a cheironomic value (expression and ornament signs)In this lesson, called "Practical Exercises 1 to 9", I will begin with a short history of the evolution of Byzantine music notation and we will locate in time the Chrysanthic notation (from 1814), also known as "the Reform of the Three Teachers", which we are going to study.Then I will present the sounds of Byzantine music scale,Ni Pa Vou Ga Di Ke Zo Niwith their approximate correspondents in the European music:Do Re Mi Fa Sol La Si Do.I will also talk about the martyrias of sounds and the traditional musical instrument kanonake. The study of Byzantine music is accomplished by using this instrument called psalterion or kanonake (qanun), which renders accurately the specific sound atmosphere of each Byzantine scale through the microtones that are characteristic for this music, tones which can easily be performed on this instrument. Byzantine tones may vary between 4 and 20 sections (units, commas).At the end of the introduction, I will present the vocal or intervallic signs (which indicate the sound emissions)The first and most important vocal or intervallic characters:• ison (for a straight course);• oligon (for an ascending course);• apóstrophos (for a descending course).The course continues by going through the first nine exercises, dedicated to the study of the three basic signs: the ison, oligon and apostrophos. These exercises are the most important ones, because they ensure the assimilation of the first basic elements in the study of Byzantine music. The exercises will be sung several times with accompaniment on the kanonake. At the end of each exercise, a slide containing a double notation is used for understanding the same exercise also from the perspective of staff-based notation.Of a maximum importance is going through the exercises, which are organized progressively and according to a particular didactic method.The purpose of this course is to ensure the acquisition of the skills for deciphering and chanting individually a Byzantine score, by understanding all the structural elements of modes and also to share with our contemporaries the sounds of ancient medieval music of a Byzantine origin.
