Byzantine Iconography Series 9 (P3) The Annunciation

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课程主页: https://www.udemy.com/course/byzantine-iconography-series-9-p3-the-annunciation/

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Coursera 拜占庭圣像画系列 9 (P3) 圣母领报 本课程是拜占庭圣像画绘画教程系列第九集的第三部分,重点在于学习如何构图。本系列课程建立在之前八个系列教程的基础上,因此要求学生必须完成之前的课程,特别是系列 1(绘制面部)、系列 2(绘制半身像)、系列 3(服装基础)、系列 3 的第一部分和第三部分(绘制全身像)、系列 5(绘制四分之三侧面像)、系列 6(绘制坐姿人物)和系列 8(绘制山脉与风景)。 本教程的目的是学习创作包含多个元素的圣像画,并将其置于有建筑的环境中。我们将以“圣母领报”为例,该画描绘的是至圣的、永久贞洁的圣母玛利亚。课程将简要介绍“圣母领报”圣像画的两种主要构图类型,阐述该节日的神学意义及其在圣像画中的体现,并探讨圣像画中某些元素的象征意义。 随后,我们将对一件创作于 14 世纪初、来自奥赫里德的著名“圣母领报”圣像画进行节奏性研究。接着,我们将开始构图,从基本结构入手,利用结构营造圣像画的整体节奏。之后,我们将深入细节,探讨这些细节如何用于创造节奏与和谐,从天使加百列、圣母玛利亚,再到建筑与环境的描绘。

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In Series 9 of the Byzantine Iconography Drawing Tutorials we are be putting together everything that we have learned in the previous series by learning how to compose icons. Everything in this series builds on what has been taught in the previous eight series of tutorials so it is important that students have completed the previous Series. In particular, they need to have completed the tutorials in Series 1 Drawing the Face, Series 2 Drawing the Half Figure, Series 3 Garment Basics, at least parts 1 and 3 of Series 3 drawing the Full Figure, Series 5 Drawing 3/4 Figures, Series 6 Drawing Seated Figures and Series 8 Drawing Mountains and Landscapes. In this third tutorial in the series our aim is to compose an icon with more than one figure in an environment with buildings. For this purpose we will be composing an icon of the Annunciation of the Theotokos and Ever-Virgin Mary. We will briefly look at the two main compositional types of the icon an the theological meaning of the Feast of the Annunciation and how this is expressed in the icon as well as the significance of certain elements of the icon. We will then make a rhythmic study of the famous icon of the Annunciation from Ochrid that dates to the early 14th century.The we will start composing out icon, starting from the basic structure and using that structure to create the general rhythm of the icon. We will then move onto the details, seeing how those details are also used to create rhythm and harmony, starting with Archangel Gabriel, then the Theotokos and finally the buildings and environment.

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