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所在平台: Udemy |
课程主页: https://www.udemy.com/course/byzantine-iconography-series-1-drawing-the-face/
课程评论：没有评论
课程名称：拜占庭圣像艺术系列1：绘制面孔 课程概述：想要学习拜占庭圣像艺术的学员必须打好基础。单纯复制旧圣像或直接进行“按数字”绘画只会建立一座纸牌屋，终将崩塌。要能够画出圣像的基础在于学习按照拜占庭系统进行绘图。只有在打下基础并不断练习后，我们才能够在东正教的圣像传统中创造，而不只是简单的“复印”旧的圣像（这种做法出现在20世纪，根本不属于教会的传统）。 在这门关于绘制圣像的第一课程中，我们将首先学习线条的重要性，以及如何通过线条的运用创造出赋予圣像生命的节奏。接下来，我们将逐步练习绘制各种面孔的多个姿态： 1. 正面姿态（我们将探讨为何在拜占庭圣像中不使用这种姿态） 2. 动态正面姿态 3. 曲线轴上的动态正面姿态 4. 苦行者的面孔和胡须 5. 崇敬的三分之四姿态 6. 向上看的三分之四姿态 7. 婴儿基督的面孔 在每个姿态中，我们将研究不同类型的面孔（年轻的面孔、女性的面孔、苦行者或老年人的面孔），从而了解每种面孔在不同姿态下的绘制方法。
Anyone wanting to learn Byzantine Iconography needs to lay the right foundation. Simply tracing old icons or jumping straight into painting ("by numbers") only builds a house of cards that will collapse. The foundation for being able to paint icons is learning to draw according to the Byzantine system. Once the foundation is laid (and practiced continually) it allows us to create within the iconographic tradition of the Orthodox Church and not simply "photocopy" old icons ( a practice that appeared in the 20th century and was never part of the tradition of the Church). In this first course on drawing icons we will start by learning the importance of line and how line is used to create the rhythm that brings icons to life. From there we will progress to drawing the face in several poses:The frontal pose ( and we will see why it is not used in Byzantine iconography)The dynamic frontal poseThe dynamic frontal pose on curved axesAscetic Faces and beardsThe reverential 3/4 poseThe upward facing 3/4 poseand the face of the Infant ChristWe will study different types of faces in each pose (young face, woman's face, ascetic or elderly face) so we can see how each type of face is drawn in each pose.
