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所在平台: Udemy |
课程主页: https://www.udemy.com/course/ableton-live-emp-bass-fundamentals-masterclass/
课程评论:没有评论
**Ableton Live - Bass Masterclass 课程概述** 本课程是 EMP Fundamentals Bass 系列课程,旨在全面教授音乐制作中的贝斯元素。无论您是想提升作曲、音色设计还是混音技巧,本课程都将为您提供扎实的理论基础和实践指导,帮助您创作各种风格的贝斯线。 **课程内容涵盖:** * **贝斯监听 (Bass Monitoring):** * 不同监听设备(耳机、近场监听)的优缺点。 * 优化录音空间声学环境(音箱摆位、声学处理)。 * 正确设置监听音量,减少听觉偏见和疲劳。 * 在 Ableton Live 中进行声音参考和 A/B 对比。 * **音阶与调式 (Keys & Scales):** * 键盘基础知识、全音阶。 * 大调和小调音阶的构成和公式。 * 音程概念及音阶度数的术语。 * **节奏与律动 (Rhythm & Groove):** * 量化音乐中的“推与拉”概念。 * 切分音在创造律动中的作用。 * ADSR 包络对律动和鼓点节奏的影响。 * **调音 (Tuning):** * 多种方法为歌曲、音轨和采样进行调音。 * 使用频谱分析仪查找歌曲的根音。 * 使用 Ableton Operator 或哼唱等方法确定音高。 * 通过八度和弦检查音高准确性。 * 对 Kick Drum 等采样进行微调。 * 使用“拍频”效果(Beat Effect)进行创作。 * **音高与旋律 (Pitch & Melody):** * 创作贝斯旋律的三种主要方法:衬托和弦/主旋律、独立旋律、担任主导乐器。 * 深入讲解旋律创作的要素:空间、节奏、和声、音程、倾向音、不协和音等。 * 示范创作贝斯旋律的步骤。 * **装饰音与高级技巧 (Embellishments & Advanced techniques):** * “空间、节奏、和声、能量”概念中的能量部分。 * 高级贝斯线润色技巧:八度、呼应(Call & Response)、成对乐句与终止式(Cadences)、和声与节奏动机(Cells & Contours)。 * **调式与变化音 (Modes & Accidentals):** * 七种音阶调式的讲解,及其营造的音乐情绪和音符特性。 * 学习如何使用变化音(Accidentals)打破常规。 * **合成器音色设计 (Synthesis):** * **Tech House 贝斯:** 使用 Massive, SubBoomBass, Operator 等插件创作 Tech House 风格贝斯。 * **通用贝斯:** 使用 Massive 创作Sub Bass,使用 Sylenth 模仿 Moog 风格贝斯。 * **Techno 贝斯:** 学习使用filtered kicks, toms, side-chain reverb,以及加入失真和调制效果。 * **Acid 贝斯:** 讲解 Acid Bass 的音色设计思路,创建工具架,并演示如何在 Sylenth 中复现 Acid 音色。 * **贝斯处理与混音 (Bass Processing and Mixing):** * **第一部分:** 声像与立体声像(Panning & Stereo Image)、相位对齐(Phase Alignment)、Kick 与 Bass 的关系、减法均衡(Subtractive EQ)、创意 EQ(色彩与饱和)。 * **第二部分:** 侧链压缩(Side Chain Compression)、动态与压缩(Dynamics and Compression)、饱和与失真(Saturation & Distortion)、并行处理(Parallel Configurations)。 通过本课程的学习,您将全面掌握创作、设计和混音贝斯所需的技巧,成为一名出色的贝斯制作人。
This EMP Fundamentals Bass course covers everything you need to know about the bass element of your music. This course aims to cover areas such as: • Bass monitoring• Keys & scales• Rhythm & groove• Tuning• Pitch & melody• Embellishments & advanced techniques• Scale modes and accidentals• Bass synthesis in a range of styles• Mixing techniques covering: balancing, stereo image, phase, kick & bass relationship, eq, side chain compression, dynamics and parallel configurations. By the end of this course you will have a firm understanding of the compositional, production, sound design and mixing techniques required to write any kind of bass-line for your productions.Below is a break down of what will be covered in each lesson: 1 - Intro A quick intro highlighting the structure of the course, topics covered, and why its so important to understand bass fundamentals from a compositional, sound design and mixing perspective. 2 - Bass Monitoring In this first video in the EMP - Bass fundamentals course we cover all aspects of bass monitoring. In the first part of the video we cover the different monitor types such as headphones and nearfield monitors and their pros and cons. We then take a look at how to best utilise the space you are working in, such as how to align your speakers and ensure you are keeping the affect of room modes to a minimum. We then expand on this knowledge with further information on how to combat any further underlying acoustic issues through the use of acoustic treatment panels and bass traps. The final part of this video covers setting your listening levels correctly to reduce your ears natural bias and allow you to work for longer without experiencing ear fatigue. finally we will cover methods to reference and make accurate and instant A/B comparisons in Ableton Live. 3 - Keys & Scales In this video we will cover the basics of the keyboard, starting off with the chromatic scale and then covering the major and minor western scales and their formulas. We will then explain what an interval is and explain the terminology used when talking about scale degrees. 4 - Rhythm & Groove This video explains the push and pull concept that defines rhythm in an otherwise quantised piece of music. we then cover the need for syncopation and explain how it crosses the natural rhythm to create a more bouncy groove. Finally we cover the affect of the ADSR envelope on the groove and how this can be manipulated to alter the feel of a drum pattern. 5 - Tuning In this video we will cover a range of methods to tune entire songs, single tracks and individual samples. firstly we cover how to find the root key of a record using a spectrum analyser which allows us to identify the main notes used for the kick and bass elements. We then cover alternative methods such as using a sine wave device from Ableton operator, or simply by humming or whistling and matching this with notes played on the keyboard. We then explain some techniques to double check that you have the right key by playing octaves and chords to see if they fit with the music. In the second part of the video we move on to tuning samples such as kick drums using the tuner and spectrum analyser. Finally we explain micro-tuning and how we can do this to get our samples pitch perfect in Ableton. We finish this video with an explanation of the beating effect between two sounds that are similar in frequency. This can be used of help tune parts but is predominantly used as a creative LFO effect for basses. 6 - Pitch & Melody In this video we will cover the fundamental theory that goes into writing bass melodies. The three main methods we cover are: • writing a bass melody that underpins chords or lead melody • writing an independant bass melody or one that works in contrast • writing a bass part as a leading instrument In the second part of the video we explain these theories in great detail. covering: • space, rhythm & harmony • harmonic & melodic intervals • scale degrees & tendency tones to create tension & resolution • chord tones & non chord tones when building a bass from chords In the final part of the video we demonstrate the steps to write a bass melody. 7 - Embellishments & Advanced techniques In this video we focus on the energy area of the ‘space, rhythm, harmony, energy' concept. by the end of this video you will understand the more advanced bass-line embellishment techniques such as: octaves, call & response, paired phrasing & cadences, harmonic & rhythmic cells & contours. 8 - Modes & Accidentals in this video we will build on the keys and scales lesson by teaching the 7 scale modes, the moods that can be created with them and which notes within the mode contribute to that sound, and finally the formulas used to create these modes in any key. We then go and learn about how we can break many of the rules we have learnt so far with the use of accidental notes. 9 - synthesis - Tech House Basses in this video we will create some basses that are commonly heard in the tech house genre from popular plugins such as Massive, SubBoomBass & Operator. 10 - Synthesis - Generic Basses In this video we will make some generic basses that are suitable for any genre. Firstly we create a sub bass using Native Instruments Massive, then we create a Moog style bass using Sylenth. 11 - Synthesis - Techno Basses In this video we cover a few methods used for creating techno basses, such as using filtered kicks and toms, or the common side-chain reverb effect. We then build on this by using some distortion and modulation effects to add more movement to the bass-lines. 12 - Synthesis - Acid Basses In this video we explain the thought process used to create an acid bass sound. We then use this concept to build an Ableton instrument rack with customised macro mapping controls which allows us to set limits for our acid bass instrument so that we can recall it in future projects. We then demonstrate how we can use this knowledge to create a similar acid sound in sylenth, demonstrating that most sounds can be recreated within any plugin. 13 - Bass Processing and Mixing 1 In this first mixing video we will cover a range of bass mixing techniques spanning areas such as: • panning & stereo image • phase alignment • kick and bass relationship • subtractive eq • creative eq for colour & saturation 14 - Bass Processing and Mixing 2 In this second mixing video we will cover a range of bass mixing techniques spanning areas such as: • side chain compression • dynamics and compression • saturation & distortion • parallel configurations