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本课程名为“卡纳提克长笛基础:Swarajathis & Swarapallavis”。 **Swarajati** 是卡纳提克音乐的一种曲式,适合在学习 Varnam 之前练习。它通常包含 Pallavi(主歌)、有时还有 Anupallavi(副歌)和至少一个 Charanam(唱段)。Swarajati 的主题常涉及虔诚、爱情或勇气,旋律优美,适用于初学、音乐会和舞蹈表演。最著名且最古老的 Swarajathi 是 Huseni 乐曲调中的 Telugu 歌曲《Hau Re Raa Bhagaya》,由 Melattur Veerabhadrayya 作曲。Swarajathis 被创作在许多不同的乐曲调中,例如 Bilahari, Hamsadhvani, Kalyani, Janjuti, Khamas 等。 **Swarapallavi**(也称为 Jathi Swaram)是一种只包含宝塔(swara,音阶)而没有歌词(sahitya)的曲式。它们通常在学习 Geethas 之后、Varnams 之前学习。这些是学术性的创作,它们的宝塔具有乐曲调的韵味。Swarapallavi 通常以中速(Madyama kalam)演奏,并搭配 Adi 和 Chapu 节拍。Swarapallavi 可以包含两到三个部分:1. Pallavi - Anupallavi - Charanams;2. Pallavi - Charanams。 有些 Charanam 中会包含 Mrudanga Jathis(一种打击乐节奏),因此得名 Jathiswarams。Swarapallavi 通常有 4 到 8 个 Charanam。Swarapallavi 的结构与 Swara Jathi 相同,唯一的区别是 Swara Jathi 包含歌词部分,而 Swarapallavi 则没有。 Hilhari 乐曲调中的《SIGPDSND》是 Swarapallavi 的一个绝佳范例,歌曲《Rara Venu Gopabala》是在此曲基础上后期添加的歌词。Swarajatis 和 Jatiswaras 可以以慢速(Chauka kala)或中速(Madhyama kala)演奏。Jati swara 创作模仿了 jati 段落/模式。在某些 Jati swaras 中,Mukthayi swaras 由半节奏(half-avarta)的 jati 组成。也存在 Ragamalika jatiswaras。Jatiswaram 的名字来源于其音乐序列中串联的 jati 片段,从节奏角度来看,Jati swaram 令人感兴趣。 著名的 Jati swarams 作曲家包括:Swati Tirunal,Ponnayya,Sivanandam,Vadivelu 和 Veena Krishnamachari。 **演唱顺序 (Ganakrama)**:首先演唱 Pallavi,然后演唱 Charanams,每个 Charanam 结束时,再重复演唱 Pallavi。演唱顺序如下: Pallavi Charanam 1 - Pallavi Charanam 2 - Pallavi ... 等等。
What is a Swarajati ?Swarajati is a form in Carnatic music, which is helpful before learning a varnam. It has pallavi, sometimes an anupallavi, and at least one charanam. The themes of swarajathis are usually either bhakthi, love or courage. It is a composition which usually has a pleasing melody and are suitable for singing in early lessons, musical concerts and dance concerts. The most popular and the oldest known Swarajathi is in Huseni raga, hau re raa bhagaya in Telugu by Melattur Veerabhadrayya. Swarajatis have been composed in numerous raagas - Bilahari, Hamsadhvani, Kalyani, Janjuti, Khamas, etc.What is a Swarapallavi ? A Swara Pallavi (also known as Jathi Swaram) is a kind of composition which has only the Dhatu part(swara) with no sahityaThey are learnt after learning geethas and before varnams.These are scholarly compositions and their Dhatu has the Raga bhavam.- Usually Swara Pallavis are set to Madyama kalam (medium tempo) and set toAdi and Chapu talas.• Swara Pallavis can have 2 or 3 parts in the following manner;1. Pallavi - Anupallavi-Charanams2. Pallavi -Charanams• In some charanams, mrudanga Jathis can be heard, hence the name Jathiswarams,- Swara Pallavis usually have 4 to 8 charanams.- Compositional structure of a Swara Pallavi is same as that of a Swara Jathi,The only difference is Swara Jathihas the Mathu (sahityam) part too, whereasSwara Pallavi lacks the sahitya part.- The piece in Hilahari raga SIGPDSND is a splendid example of this type ofcomposition.- The sahitya 'Rara Venu gopabala' is a sahitya tacked later on to the piece.• Swarajatis and ſatiswaras may be composed in Chauka kala (slow tempo) or inMadhyama kala (medium tempo).- Jati swara compositions are moulded on the patterns of jati passages/pattems.In some Jati swaras, the mukthayi swaras consist of half-avarta jatis.Ragamalika jatiswaras also exist.- Jatiswaram is a derivative name since phrases of jatis are strung into musicalsequence.. The jati swaram is of interest from the rhythmical point of view.• Prominent composers of Jati swarams are:1. Swati Tirunal,2. Ponnayya,3. Sivanandam,4. Vadivelu and5. Veena Krishnamachari• Ganakrama (Order of Singing):• First, the Pallavi is sung, then the Charanams are sung and at the end of eachCharanam, the Pallavi is sung. They are sung thus:• Pallavi• Charanam 1-Pallavi• Charanam 2-Pallavi etc.