Cultural and creative industries

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National Research University Higher School of Economics

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Main objective of this course is to trace the development of the Cultural and Creative Industries as an idea and as concept and to identify the key points of changes within it in relations with contemporary digital connected world. Another important task of this course is to provide the deep understanding of the difference between cultural and symbolic meaning products (such as films, recorded music, book and periodicals, online media content etc) and other kind of goods. This course will help you to: - Identify main peculiarities of cultural and symbolic goods in their difference with other branches of economy in terms of production chain, risks, relationship between different stages of production. - Be able to analyze cultural products and symbolic goods from the organizational, economic, business model point of view. - Be able to invent new business models and analyze cultural products in terms of their productions risk. - Be able to analyze cultural policies and creative industries/clusters policies. Main prerequisite to this course is to be able to produce analytical texts in humanities. Normally the course addresses all students of master level interested in peculiarities of media and cultural economy and management. This course is strongly not recommended for those who: - Analyse any market or industry only in microeconomic terms (supply and demand, level of competitions etc). This course is not about market but about peculiarities of symbolic goods; - Try to interpret culture only in terms of marketing and management (i.e. culture is considered like a simple good to be sold to the consumer). This course considers it more broadly like a human agency to produce meanings of everyday life. That’s why cultural goods are different and can not be interpreted exclusively in terms of consuming and need more or less state support; - Try to interpret culture like pure “art” and consequently are absolutely not preoccupied by organizational aspect of its working. This course uses a large number of concepts coming from different fields of science: political economy of communications, cultural studies, sociology etc. Some aspects of the course are commented by known scholars in this field such as David Hesmondhalgh (University of Leeds), Phillipe Bouquillion (University Paris 13 Nord), Bernard Miege (Grenoble Alpes University). Do you have technical problems? Write to us: coursera@hse.ru

文化和创意产业:本课程的主要目的是追寻文化和创意产业的思想和概念的发展,并确定与现代数字互联世界之间关系的变化的关键点。本课程的另一项重要任务是深入理解文化和象征意义产品(例如电影,录制的音乐,书籍和期刊,在线媒体内容等)与其他种类商品之间的区别。 本课程将帮助您:   -从生产链,风险,不同生产阶段之间的关系等方面,确定文化和象征性商品与其他经济分支的主要区别。   -能够从组织,经济,商业模型的角度分析文化产品和象征性商品。   -能够发明新的商业模式并根据文化产品的生产风险对其进行分析。   -能够分析文化政策和创意产业/集群政策。 这门课程的主要前提是能够产生人文科学的分析文本。通常,该课程面向所有对媒体,文化经济和管理方面的特性感兴趣的硕士水平的学生。强烈建议不适合以下人员的本课程:   -仅从微观经济角度(供应和需求,竞争水平等)分析任何市场或行业。这门课程不是关于市场,而是关于象征性商品的特性。   -尝试仅从营销和管理的角度来解释文化(即文化被视为一种简单的商品,可以卖给消费者)。本课程更广泛地将其视为产生日常生活意义的人类机构。这就是为什么文化商品与众不同,不能仅仅根据消费来解释,而且需要或多或少的国家支持;   -尝试将文化解释为纯“艺术”,因此绝对不致于对其工作的组织方面的关注。 本课程使用来自不同科学领域的大量概念:传播的政治经济学,文化研究,社会学等。该领域的某些方面得到了该领域的知名学者的评论,例如戴维·赫斯蒙达尔(利兹大学),菲利普Bouquillion(巴黎北13大学),Bernard Miege(格勒诺布尔阿尔卑斯大学)。 你有技术上的问题吗?写信给我们:coursera@hse.ru

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