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所在平台: Coursera |
课程主页: https://www.coursera.org/learn/scandinavian-movies-tv
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课程名称：斯堪的纳维亚电影与电视 课程概述：斯堪的纳维亚电影和电视在许多方面已成为全球文化品牌，旨在传递与自由、进步的福利社会相关的文化和社会价值。本课程探讨了斯堪的纳维亚电影和电视的社会、制度及文化背景，并在更广泛的欧洲及全球背景下进行分析。 课程大纲： 1. **当代斯堪的纳维亚电影和电视文化与德莱叶的经典电影** - 该模块包括两节课。第一节课介绍当代斯堪的纳维亚电影和电视文化的主要趋势，尤其是这些国家的电影和电视文化与福利国家理念的关系，并讨论其国际影响力。第二节课关注斯堪的纳维亚早期电影的发展，以及丹麦导演卡尔·D·德莱叶的作品，从无声电影经典《圣女贞德之受难》到有声电影时代。 2. **英格玛·伯格曼与拉斯·冯·提尔** - 第三节课聚焦于瑞典导演英格玛·伯格曼的代表作，如《第七封印》、《人物》和《哭泣与耳语》，探讨其电影作品中的影响、主题与风格，以及伯格曼对现代艺术电影的贡献。第四节课讨论丹麦导演拉斯·冯·提尔的著名思想和电影，包括《欧洲三部曲》、《灵异之人》、诸如《破碎的浪潮》、《黑暗中的舞者》和《狗镇》，以及《狗玛95宣言》《反基督者》《忧郁症》和《性饥渴者》等作品。 3. **新浪潮、艺术电影与社会戏剧** - 第五节课探讨斯堪的纳维亚新浪潮电影的主要趋势及其“作者”们。第六节课关注1990年以来斯堪的纳维亚艺术电影与社会戏剧的不同倾向，从获奖的遗产影片到当代福利社会中的严酷故事，展现了多样化的视角。 4. **纪录片与早期电视戏剧** - 第七节课回顾了斯堪的纳维亚强大的纪录片电影制作历史，从早期纪录片制片人到当代全球数字化的纪录片场景。第八节课则聚焦于1960年至2000年间电视戏剧的发展趋势，展示了公共广播电视台对优秀电视戏剧的不同理解。 5. **现代电视戏剧与数字革命** - 第九节课研究“北欧黑暗犯罪”风格的剧集，如《瓦兰德》和《谋杀》，如何在2010年代成为国际知名品牌。第十节课讨论了如何在全球和数字化时代理解当代斯堪的纳维亚电影与电视文化，以及跨国未来可能带来的变化。 请注意，这些讲座录制于2014年，课程资源中附有关于后续发展的链接。
Name:Contemporary Scandinavian Film and TV Culture and Dreyer's Classical Cinema
Description:This module consists of two lessons. The first lesson offers an introduction to main trends in the contemporary Scandinavian film and television culture, focusing – among other things – on how the national film and television cultures relate to ideas of the welfare state. The module also addresses the international impact of film and television from Scandinavia. The second lesson deals with the early years of cinema in Scandinavia and the work of the Danish director Carl Th. Dreyer, from a silent film classic such as 'The Passion of Joan of Arc' to the sound film era.
Name:Ingmar Bergman and Lars von Trier
Description:'The Seventh Seal', 'Persona' and 'Cries and Whispers' are just some of the famous films by the acclaimed Swedish director Ingmar Bergman. The third lesson focuses on issues of influences, themes and style in his films as well as on Bergman's importance for the modern art cinema. The fourth lesson deals with the internationally renowned ideas and films by the Danish director Lars von Trier: 'The Europa-trilogy'; The TV series 'Riget'/'The Kingdom'; 'Breaking the Waves'; 'Dancer in the Dark' and 'Dogville'; The Dogma 95 Manifesto; 'Antichrist', 'Melancholia' and 'Nymphomaniac' ...
Name:New Wave, Art Cinema and Social Drama
Description:Many people have heard of the French new wave cinema, 'la nouvelle vague'. The fifth lesson deals with the main tendencies of the Scandinavian new wave cinema and some of its 'auteurs'. The sixth lesson focuses on different tendencies in the Scandinavian art film and social drama after 1990, ranging from award-winning heritage films to harsh stories from the contemporary Scandinavian welfare societies.
Name:Documentary and Early TV Drama
Description:Scandinavian cinema has a long history of strong documentary film making. The seventh lesson moves from the early documentary filmmakers to the contemporary – global and digital – scene for Scandinavian documentaries. Television drama is important for the Scandinavian public service broadcasters, but the notions of good television drama have changed remarkably from the early days of television up until today. In the eighth lesson we focus on the main tendencies in these developments from 1960 to 2000.
Name:Modern TV Drama and the Digital Revolution
Description:With 'Nordic Noir' such as 'Wallander' and 'Forbrydelsen/The Killing' becoming a 'brand' in the 2010s, some 'Scandi crime' series were suddenly of interest to international as well as national audiences. The ninth lesson focuses on Scandinavian television drama after the millennium and addresses some of the changes in the production framework that helped the series move from the national to the international realm. The tenth and final lesson discusses how to understand the contemporary Scandinavian film and television culture in a global and digital era. What might the transnational future bring? (Please be advised that these lectures were filmed in 2014. Much has happened since then. We have put links about more recent developments in the resources.)
In many ways Scandinavian film and television is a global cultural brand, connected with and exporting some of the cultural and social values connected to a liberal and progressive welfare society. This course deals with the social, institutional and cultural background of film and television in Scandinavia and in a broader European and global context.
