艺术 公开课(字母序)

      字母序 将开始 进行中

Affective Computing (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-630-affective-computing-spring-2008

简介: This class explores computing that relates to, arises from, or deliberately influences emotion. Topics include the interaction of emotion with cognition and perception; the role of emotion in human-computer interaction; the communication of human emotion via face, voice, physiology, and behavior; construction of computers that have skills of emotional intelligence; the development of computers that "have" emotion; affective technologies for autism; and other areas of current research interest. Weekly reading, discussion, and a term project are required.

Ambient Intelligence (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-963-ambient-intelligence-spring-2004

简介: This course focuses on Ambient Intelligence, and how it envisions a world where people are surrounded by intelligent and intuitive interfaces embedded in the everyday objects around them. These interfaces recognize and respond to the presence and behavior of an individual in a personalized and relevant way. Students are required to do extensive literary research on the subject and participate in class discussions.

Ambient Intelligence (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-961-ambient-intelligence-spring-2005

简介: This course will provide an overview of a new vision for Human-Computer Interaction (HCI) in which people are surrounded by intelligent and intuitive interfaces embedded in the everyday objects around them. It will focus on understanding enabling technologies and studying applications and experiments, and, to a lesser extent, it will address the socio-cultural impact. Students will read and discuss the most relevant articles in related areas: smart environments, smart networked objects, augmented and mixed realities, ubiquitous computing, pervasive computing, tangible computing, intelligent interfaces and wearable computing. Finally, they will be asked to come up with new ideas and start innovative projects in this area.

Autism Theory and Technology (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-771-autism-theory-and-technology-spring-2011

简介: This course illuminates current theories about autism together with challenges faced by people on the autism spectrum. Theories in communicating, interacting socially, managing cognitive and affective overload, and achieving independent lifestyles are covered. In parallel, the course presents state-of-the-art technologies being developed for helping improve both theoretical understanding and practical outcomes. Participants are expected to meet and interact with people on the autism spectrum. Weekly reading, discussion, and a term project are required.

Beginning Costume Design and Construction (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-732-beginning-costume-design-and-construction-fall-2008

简介: This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

Black Matters: Introduction to Black Studies (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-630j-black-matters-introduction-to-black-studies-fall-2009

简介: This class is an interdisciplinary survey that explores the experiences of people of African descent through the overlapping approaches of history, literature, anthropology, legal studies, media studies, performance, linguistics, and creative writing. It connects the experiences of African Americans and of other American minorities, focusing on social, political, and cultural histories, and on linguistic patterns. Activities include lectures, discussions, workshops, and required field trips that involve minimal cost to students.

Common Sense Reasoning for Interactive Applications (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-964-common-sense-reasoning-for-interactive-applications-fall-2002

简介: This course will explore the state of the art in common sense knowledge, and class projects will design and build interfaces that can exploit this knowledge to make more usable and helpful interfaces.

Common Sense Reasoning for Interactive Applications (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-962-common-sense-reasoning-for-interactive-applications-fall-2006

简介: This course will explore the state of the art in common sense knowledge, and class projects will design and build interfaces that can exploit this knowledge to make more usable and helpful interfaces.

Composing for Jazz Orchestra (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-342-composing-for-jazz-orchestra-fall-2008

简介: This site features:

Composing with Computers I (Electronic Music Composition) (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-361-composing-with-computers-i-electronic-music-composition-spring-2008

简介: This class explores sound and what can be done with it. Sources are recorded from students' surroundings - sampled and electronically generated (both analog and digital). Assignments include composing with the sampled sounds, feedback, and noise, using digital signal processing (DSP), convolution, algorithms, and simple mixing. The class focuses on sonic and compositional aspects rather than technology, math, or acoustics, though these are examined in varying detail. Students complete weekly composition and listening assignments; material for the latter is drawn from sound art, experimental electronica, conventional and non-conventional classical electronic works, popular music, and previous students' compositions.

Computational Camera and Photography (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-531-computational-camera-and-photography-fall-2009

简介: This course features

Conversational Computer Systems (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-632-conversational-computer-systems-fall-2008

简介: This class explores interaction with mobile computing systems and telephones by voice, including speech synthesis, recognition, digital recording, and browsing recorded speech. Emphasis on human interface design issues and interaction techniques appropriate for cognitive requirements of speech. Topics include human speech production and perception, speech recognition and text-to-speech algorithms, telephone networks, and spatial and time-compressed listening. Extensive reading from current research literature.

Creating Site-Specific Dance and Performance Works (Coursera) 0 个评论 关注

开始时间: 待定 持续时间: Unknown

主页: https://www.coursera.org/course/sitedance

简介: This course will look into the process of creating live site-specific choreography/performance works from conception, production to performance. Site-specific dance/performance is work created in response to a particular place, site, inspired by its architecture/design, the history and current use.

Dance Theory and Composition (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-675-dance-theory-and-composition-fall-2003

简介: This course introduces students to the art and formal ideologies of contemporary dance. We explore the aesthetic and technical underpinnings of contemporary dance composition. Basic compositional techniques are discussed and practiced, with an emphasis on principles such as weight, space, time, effort, and shape. Principles of musicality are considered and developed by each student. Working with each other as the raw material of the dance, students develop short compositions that reveal their understanding of basic techniques. Hopefully, students come to understand a range of compositional possibilities available to artists who work with the medium of the human body.

Design for the Theater: Scenery (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-734-design-for-the-theater-scenery-spring-2005

简介: This course features a

Developing Musical Structures (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-113-developing-musical-structures-fall-2002

简介: This course features projects which are completed using the computer music authoring environment Impromptu.  An open-source version of Impromptu is available in the 

Developmental Entrepreneurship (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-666-developmental-entrepreneurship-fall-2003

简介: This class surveys developmental entrepreneurship via case examples of both successful and failed businesses and generally grapples with deploying and diffusing products and services through entrepreneurial action. By drawing on live and historical cases, especially from South Asia, Africa, Latin America as well as Eastern Europe, China, and other developing regions, we seek to cover the broad spectrum of challenges and opportunities facing developmental entrepreneurs. Finally, we explore a range of established and emerging business models as well as new business opportunities enabled by developmental technologies developed in MIT labs and beyond.

Digital Anthropology (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-966-digital-anthropology-spring-2003

简介: This class contains excellent

Digital Typography (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-962-digital-typography-fall-1997

简介: This class was one of the earliest classes taught in the Aesthetics and Computation Group at the MIT Media Lab. This class from 1997 deals with the ubiquitous nature of type and typography, and how it might be modified and redesigned in the digital age. A full set of assignments and solutions can be seen in the 

Early Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-220-early-music-fall-2010

简介: A video of

FILM RIOT 工作室:好莱坞电影特效制作教程第一季 (网易公开课) 0 个评论 关注

开始时间: 随时 持续时间: 29 videos

主页: http://v.163.com/special/opencourse/filmriots1e1-e12.html

简介: 好莱坞对我们来说一直是一座神秘的殿堂,而好莱坞那些卖座电影的特技,更是让我们心生佩服,叹为观止。现在让我们一起走进好莱坞的特技世界,了解那些特技背后的奥秘。

Foundations of Theater Practice (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-611-foundations-of-theater-practice-fall-2009

简介: The goals of this class are two-fold: the first is to experience the creative processes and storytelling behind several of theater's arts and to acquire the analytical skills necessary in assessing the meaning they transmit when they come together in production. Secondly, we will introduce you to these languages in a creative way by giving you hands-on experience in each. To that end, several Visiting Artists and MIT faculty in Theater Arts will guest lecture, lead workshops, and give you practical instruction in their individual art forms.

Fundamentals of Computational Media Design (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-110-fundamentals-of-computational-media-design-fall-2008

简介: This class covers the history of 20th century art and design from the perspective of the technologist. Methods for visual analysis, oral critique, and digital expression are introduced. Class projects this term use the OLPC XO (One Laptop Per Child) laptop, Csound and Python software.

Fundamentals of Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-051-fundamentals-of-music-spring-2007

简介: This class introduces students to the rudiments of Western music through oral, aural, and written practice utilizing rhythm, melody, intervals, scales, chords, and musical notation. The approach is based upon the inclusive Kodály philosophy of music education. Individual skills are addressed through a variety of means, emphasizing singing and keyboard practice in the required piano labs.

Harmony and Counterpoint I (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-301-harmony-and-counterpoint-i-spring-2005

简介: In this subject we will study the basic harmonic, melodic, and formal practices of western music, principally the classical music of central Europe during the eighteenth century. Topics will include diatonic harmony, simple counterpoint in two parts, and tones of figuration. The coursework will combine composition, listening, analysis, and work in sight-singing and keyboard musicianship.

Harmony and Counterpoint II (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-302-harmony-and-counterpoint-ii-spring-2005

简介: In this subject, we explore the harmonic, melodic, and formal practices of western music, principally the so-called "Classical" idiom of central Europe, ca. 1750-1825. Topics include a quick review of material covered in 21M.301, chromatic harmony (vii

Hip Hop (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-775-hip-hop-fall-2007

简介: This class explores the political and aesthetic foundations of hip hop. Students trace the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its 30 year presence in the American cultural imagery. Students also investigate specific black cultural practices that have given rise to its various idioms. Students create material culture related to each thematic section of the course. Scheduled work in performance studio helps students understand how hip hop is created and assessed.

Holographic Imaging (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-450-holographic-imaging-spring-2003

简介: MAS.450 is a laboratory course about holography and holographic imaging.

How to Learn (Almost) Anything (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-712-how-to-learn-almost-anything-spring-2001

简介: As the digital revolution brings with it radical changes in how and what we learn, people must continue to learn all the time. New technologies make possible new approaches to learning, new contexts for learning, new tools to support learning, and new ideas of what can be learned. This course will explore these new opportunities for learning with a special focus on what can be learned through immersive, hands-on activities. Students will participate in (and reflect on) a variety of learning situations, and will use Media Lab technologies to develop new workshops, iteratively run and refine the workshops, and analyze how and what the workshop participants learn.

How to Make (Almost) Anything (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-863-how-to-make-almost-anything-fall-2002

简介: This course provides a hands-on introduction to the resources for designing and fabricating smart systems, including CAD/CAM/CAE; NC machining, 3-D printing, injection molding, laser cutting; PCB layout and fabrication; sensors and actuators; analog instrumentation; embedded digital processing; wired and wireless communications. This course also puts emphasis on learning how to use the tools as well as understand how they work.

Industrial Design Intelligence: A Cognitive Approach to Engineering (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-742-industrial-design-intelligence-a-cognitive-approach-to-engineering-fall-2003

简介: This class investigates cognitive science and technology as it is applied to the industrial design process. The class introduces prototyping techniques and approaches for objective evaluation as part of the design process. Students practice evaluating products with mechanical and electronic aspects. Evaluation processes are applied to creating functioning smart product prototypes. This is a project oriented subject that draws upon engineering, aesthetic, and creative skills. It is geared toward students interested in creating physical products which encompass electronics and computers, aimed at including them in smart scenarios. Students in the class will present readings, learn prototyping skills, create a product prototype, and complete a publication style paper.

Interdisciplinary Approaches to Musical Time (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-542-interdisciplinary-approaches-to-musical-time-january-iap-2010

简介: This course is an interdisciplinary exploration of three broad topics concerning music in relation to time.

Introduction to Computational Arts: Visual Arts (Coursera) 0 个评论 关注

开始时间: 待定 持续时间: Unknown

主页: https://www.coursera.org/course/compartsvisual

简介: This production class serves as an introduction to, and exploration of digital imagery in the arts. Lectures will cover concepts and presentations of artists working in various capacities with computers, as well as tutorials on specific software packages.

Introduction to Doing Research in Media Arts and Sciences (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/media-arts-and-sciences/mas-111-introduction-to-doing-research-in-media-arts-and-sciences-spring-2011

简介: This course is intended for students pursuing research projects at the Media Laboratory. Topics include Media Lab research areas, documenting research progress, ethical issues in research; patents, copyrights, intellectual property, and giving oral, written, and online presentations of results. A final oral presentation is required. Enrollment limited with preference given to students in the Media Arts and Sciences freshman program.

Introduction to Music Composition (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-065-introduction-to-music-composition-fall-2009

简介: Through a progressive series of composition projects, students investigate the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required; this version of the class is a general elective suitable for a relatively large-enrollment class. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods.

Introduction to Musical Composition (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-065-introduction-to-musical-composition-fall-2005

简介: Through a progressive series of composition projects, this course investigates the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods.

Introduction to Stagecraft (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-606-introduction-to-stagecraft-spring-2009

简介: Offered in the spring and fall terms, Introduction to Stagecraft is a hands-on course that gets students working with the tools and techniques of theatrical production in a practical way. It is not a design course but one devoted to artisanship. Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures.

Introduction to Western Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-011-introduction-to-western-music-spring-2006

简介: This course gives a broad overview of Western music from the Middle Ages to the 20th century, with emphasis on late baroque, classical, romantic, and modernist styles (1700-1910). It is also meant to enhance students' musical experience by developing listening skills and an understanding of diverse forms and genres. Major composers and their works will be placed in social and cultural contexts. Weekly lectures feature demonstrations by professional performers, and introduce topics to be discussed in sections. The focus of the course is on the weekly listening and reading assignments.

Introduction to World Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-030-introduction-to-world-music-fall-2006

简介: This course explores the ways that music is both shaped by and gives shape to the cultural settings in which it is performed, through studying selected musical traditions from around the world. Specific case studies will be examined closely through listening, analysis, and hands-on instruction. The syllabus centers around weekly listening assignments and readings from a textbook with CDs, supplemented by hands-on workshops, lecture/demonstrations and concerts by master musicians from around the world.

Introduction to World Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-030-introduction-to-world-music-spring-2013

简介: This course is an introduction to diverse musical traditions of the world. Music from a wide range of geographical areas is studied in terms of structure, performance practice, social use, aesthetics, and cross-cultural contact. Course work includes hands-on music making, live demonstrations by guest artists, and ethnographic research projects.

Lighting Design for the Theatre (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-734-lighting-design-for-the-theatre-fall-2003

简介: This class explores the artistry of Lighting Design. Students gain an overall technical working knowledge of the tools of the trade, and learn how, and where to apply them to a final design. However essential technical expertise is, the class stresses the artistic, conceptual, collaborative side of the craft. The class format is a "hands on" approach, with a good portion of class time spent in a theatre.

Modern Music: 1900-1960 (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-262-modern-music-1900-1960-fall-2006

简介: This subject covers a specific branch of music history: Western concert music of first sixty years of the twentieth century. Although we will be listening to and studying many pieces (most of the highest caliber) the goal of the course is not solely to build up a repertory of works in our memory (though that is indeed a goal). We will be most concerned with larger questions of continuity and change in music. We will also consider questions of reception, or historiography - that is, the creation of history and our perception of it. Why do we perceive much of this music, so much closer in time to us than Mozart or Beethoven, to be so foreign? Is this music aloof and separate from popular music of the twentieth century or is there a real connection (perhaps hidden)? The subject will continue to follow some topics of central interest to music before 1960, such as serialism and aleatory, beyond the 1960 cutoff. Conversely a few topics which get their start just before 1960 but which flourish later (minimalism, computer music) will be covered only in 21M.263.

Music and Technology (Contemporary History and Aesthetics) (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-380-music-and-technology-contemporary-history-and-aesthetics-fall-2009

简介: This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers such as Harry Partch, John Cage, Conlon Nancarrow, and others. The exploration of electromagnetic technologies in pickups, and the development of dub, hip-hop, and turntablism. The history and application of the analog synthesizer, from the Moog modular to the Roland TR-808. The history of computer music, including music synthesis and representation languages. Contemporary practices in circuit bending, live electronics, and electro-acoustic music, as well as issues in copyright and intellectual property, will also be examined. No prerequisites.

Music and Technology: Algorithmic and Generative Music (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-380-music-and-technology-algorithmic-and-generative-music-spring-2010

简介: This course examines the history, techniques, and aesthetics of mechanical and computer-aided approaches to algorithmic music composition and generative music systems. Through creative hands-on projects, readings, listening assignments, and lectures, students will explore a variety of historical and contemporary approaches. Diverse tools and systems will be employed, including applications in Python, MIDI, Csound, SuperCollider, and Pure Data.

Music and Technology: Live Electronics Performance Practices (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-380-music-and-technology-live-electronics-performance-practices-spring-2011

简介: This course is a creative, hands-on exploration of contemporary and historical approaches to live electronics performance and improvisation, including basic analog instrument design, computer synthesis programming, and hardware and software interface design.

Music and Technology: Recording Techniques and Audio Production (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-380-music-and-technology-recording-techniques-and-audio-production-spring-2012

简介: This course covers foundations, practices, and creative techniques in audio recording and music production, including microphone selection and placement, mixing, mastering, signal processing, automation, and digital audio workstations.

Music Composition (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-351-music-composition-fall-2008

简介: This course features downloadable mp3 music files on the

Music of Africa (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-293-music-of-africa-fall-2005

简介: This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists.

Music of India (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-291-music-of-india-spring-2007

简介: This course focuses on Hindustani classical music of North India, and also involves learning about the ancient foundations of the rich classical traditions of music and dance of all Indian art and culture. Students explore the practice the ragas and talas through learning songs, dance, and drumming compositions, and develop insights through listening, readings, and concert attendance.

Music Since 1960 (MIT OCW) 0 个评论 关注

开始时间: 01/01/2014 持续时间: 未知

主页: http://ocw.mit.edu/courses/music-and-theater-arts/21m-263-music-since-1960-spring-2006

简介: This course begins with the premise that the 1960s mark a great dividing point in the history of 20th century Western musical culture, and explores the ways in which various social and artistic concerns of composers, performers, and listeners have evolved since that decade. It focuses on works by classical composers from around the world. Topics include the impact of rock, as it developed during the 1960s - 70s; the concurrent emergence of post serial, neotonal, minimalist, and new age styles; the globalization of Western musical traditions; the impact of new technologies; and the significance of music video, video games, and other versions of multimedia. The course interweaves discussion of these topics with close study of seminal musical works, evenly distributed across the four decades since 1960; works by MIT composers are included.